All CERUTI, Giacomo 's Paintings

The Painting Names Are Sorted From A to Z
Usually people can find a painting's picture with different colors. We just upload all of them here.
They are just the options for you and you can choose the best one or the one with your favorite colors.

Choice	ID	Image	Painting (From A to Z)	Details
	5992		Annunciation klj	c. 1644 Oil on canvas, 74,3 x 54,6 cm Ferens Art Gallery, Hull
	28923		Boy with a Basket of Fish	mk65 Oil on canvas 22 1/16x28 3/4in Pitti,
	5988		Boy with a Basket	c. 1745 Oil on canvas, 130 x 95 cm Pinacoteca di Brera, Milan
	6004		Cardinal Richelieu mjkh	c. 1637 OiI on canvas, 260 x 178 cm National Gallery, London
	5989		Evening at the Piazza jj	c. 1730 Oil on canvas, 210 x 298 cm Museo Civico d'Arte Antica, Palazzo Madama, Turin
	5993		Ex Voto	1662 Oil on canvas, 165 x 229 cm Mus??e du Louvre, Paris
	5995		King Louis XIII kj	1655 Oil on canvas, 108 x 86 cm Museo del Prado, Madrid
	6001		Portrait of a Man kjg	1650 Oil on canvas, 91 x 72 cm Mus??e du Louvre, Paris
	6000		Portrait of Bishop Jean-Pierre Camus ,mnk	1643 Oil on canvas, 73,2 x 59,4 cm Museum voor Schone Kunsten, Ghent
	5994		Portrait of Henri Groulart klh	1654 Oil on canvas, 92,5 x 75,5 cm Museum of Fine Arts, Budapest
	5999		Portrait of Omer Talon jbhj	1649 Oil on canvas, 225 x 161,6 cm National Gallery of Art, Washington
	6002		Portrait of Robert Arnauld d'Andilly lkhk	1667 Oil on canvas, 78 x 64 cm Mus??e du Louvre, Paris
	6007		Still-Life with a Skull jg	Oil on panel, 28 x 37 cm Mus??e de Tess??, Le Mans
	51219		Still-Life with Hen, Onion and Pot	1750s Oil on canvas
	45523		Style life with Salami	mk186 around 1750 Milans, Pinacoteca di Brera
	5991		The Annunciation kljk	Apart from Vouet, Champaigne was the most important painter active in Paris in the middle years of the 17th century. He was born and trained in Brussels. He arrived in Paris in 1621. Throughout his career he made many official commissions, for monasteries, for the Church, and for Louis XIII. He collaborated with Nicolas Poussin in decorating the Luxembourg Palace, then worked for the queen mother, Marie de Medicis, for Louis XIII, and after 1635 primarily for the king's chief minister, Cardinal Armand Richelieu, for whom he decorated the Palais Royal, the dome of the Sorbonne, and other buildings. His art has not been studied in depth until recently, and has undergone radical reassessment: instead of being seen as an exponent of dry Classicism, he is now seen to epitomize the whole epoch. As a portraitist, his vivid depictions of Cardinal Richelieu show how he was able to seize on the essential characteristics of the autocrat, while his portraits of other, now unidentifiable contemporaries are much more sympathetic. In the first part of his career, as a painter of religious pictures, he executed a number of large altarpieces that shows his Flemish origin. This is especially true of such Rubens-inspired works as the Adoration of the Shepherds in the Wallace Collection, London. Later in life, Champaigne changed his art dramatically when he came under the influence of the Jansenist movement. His paralysed daughter was miraculously cured in the Jansenist nunnery of Port-Royal, and to mark the event Champaigne painted his celebrated but untypical Ex-Voto (Louvre, Paris). Champaigne's art was much more varied than is usually thought, and his achievement spans almost fifty years, from the mid-1620s to his death in 1674. He was one of the fourteen founder-members of the Academy in 1648.
	5998		The Miracles of the Penitent St Mary jhj	1656 Oil on canvas, 219 x 336 cm Mus??e du Louvre, Paris
	5996		The Penitent Magdalen jgh	Oil on canvas, 115,5 x 87 cm Museum of Fine Arts, Houston
	6003		The Presentation of the Temple kjgj	1648 Oil on canvas, 257 x 197 cm Mus??es Royaux des Beaux-Arts, Brussels
	6006		The Supper at Emmaus khk	Oil on canvas, 217 x 226 cm Museum voor Schone Kunsten, Ghent
	6005		Triple Portrait of Richelieu kjj	c. 1640 Oil on canvas, 58 x 72 cm National Gallery, London

CONTACT US